정주석 이미지를 응용한 도제조명등 연구

Abstract

Modern lighting fixtures occupy an important part as an aesthetic element in the interior design and are considered essential in the aspect of human emotions as well as their intrinsic functions. The study explored the production of ceramic illuminating equipment, which lays more stress on the form than the function, in order to figure out the problems of ceramic lighting currently mass-produced and find a solution to them. The ceramic lighting was inspired by Jeongjooseok and has been manufactured as an artistic sculpture by means of dismantlement and mixture of figurative factors characteristic of Jeongjooseok. It was designed in a way that it can have a practical and decorative function even when lights are put out. The research, by looking at the process of manufacturing the goods, came to the following conclusion. First, atmospheric lighting, such as a wall-mounted illuminator, a chair lamp for the floor and a standing lighting unit for the table, has been turned out by grasping the constituent and molding of Jeongjooseok and transforming them into diverse images. An apparently changed figure of the product light led to made the indoor space look original and well-balanced. Second, up-to-date ambience was created through the use of enamel of a soft hue such as green series and ivory series instead of a grave and dark tint of basalt. It made a foundation for a development of new colors which could reflect Jeju image. Third, the ceramic lighting, a sculpture with illumination, was a vehicle for the expression of warm-hearted and genial sensibility and mentality of human beings thanks to the light, and it was possible to seek diversity in terms of interior design. Fourth, the research sounded the possibility of the ceramic lighting being optimal in the aspects of practicality and decorativeness to differentiate itself from uniformly-designed products and make a unique space presentation. Standardized parts of the lighting didn't fit the size and color of individual products, leaving various developments of the lighting accessories a pressing need. In addition, technical problems in the installation of the lighting were noticed. The above research findings show that above all, an active exchange between the manufacturer and the designer is desired to collect all the factors of function, design and luminous source of the lighting. It is desirable to develop ceramic lighting, the most beautiful space sculpture of the times the soil and light presents. Finally, I hope that the research, if insignificant, can help enrich everyday life, and a further study of ceramic illuminators and their production continue to be made to express the local color and mentality of Jeju by making up for the problems, based on the investigation.