蓮을 이용한 花器디자인 硏究

Abstract

Korean flower arrangement is important for works that allow nature and humans to communicate with each other and to preserve nature as it is. Rather than artificially creating lines one by one, it saves the inspiration it feels in its original state, and places great importance on space. Space doesn't mean emptiness but beauty of hollow, showing the meaning of real space. Ceramics cradling flowers is essential part of flower arrangement, it acts beyond its original use by showing wide variety of variation and ritual things to contain desire and pray of human, as a medium of expressing emotions. Nowadays use of eco-friendly materials like natural dyeing fabrics grows naturally and its demand goes up as colors of natural dyeing fabrics mix together with perfect harmony. So as a natural dyeing fabrics diversify, studies of new materials and ceramics progress. This trend penetrates our life and draw attention as a cultural item. This trend extended to combining ceramics with inherited traditional culture. Designing ceramics and finding new materials is meaning full meeting today'sdemand. So this study is about designing flower ceramics to express original Korean beauty and designing it as a work of showing visual delight and emotional stability. Its contents and study method is can be summarized as a follow. First, consider the concept of flower ceramics and the theory of history. Second, look at the types and materials of modernizers, and look at their form and shape. Third, the data on the origin of lotus and the use of lotus are investigated and compiled. Fourth, dye tests are conducted by concentration of various saline agents using lotus, lotus flower, lotus leaf and lotus root, the color development material of louts. Fifth, the material of cloth uses five materials: silk, cotton, ramie and hemp, which are animal fibers, silk and vegetable fibers. Sixth, sewing uses ssamsol technique as a sewing method, expression technique involves carving various colored fabrics with dyed colors, and embroidery technique with silk to express it as ssamzil, seep and groove. Seventh, the basic frame making of flower ceramics is made with wood. The results of this study are as follows. First, lotus flowers bloom in the mud, but are always considered sacred because they have clean and noble figures, and they are a symbolic flower of Buddhism from ancient times, meaning the universe itself, and louts contain Buddhist principles in each part. Lotus seed is a symbol of immortality by budding and blooming when it is planted after a thousand years.Second, in the color development of lotus, materials used three kinds of lotus flowers, leaves, and roots, the materials of cloth were silk, cotton, mineral, ramie, and sambe, and the saline material used aluminum, Chosan-dong, and first iron of chloride. In lotus flowers, the red color of lotus was not dyed, the color of yellow line of 2.5Y and 5Y in aluminum salts, the color of the yellow line of 2.5Y and 5Y in Chosan-dong, and the color of the blue-gray of the first season 2.5Y, 7.5Y and 10Y of Chloride. In lotus petals, the colors of yellow sequence 5Y, 7.5Y and 10Y in aluminum salts, the greenish colors of 2.5GY, 7.5GY and 5Y in Chosan-dong, and the green colors of the first and 5Y classes of chloride were colored. In Yeongeun, colors of yellow sequence 2.5Y, 5Y and 10Y were found in Chosan-dong in the colors of 2.5Y, 5GY, 10GY, and 10YR in the blue of 2.5Y, 7.5YR, and 10YR in the first season of Chloride. Third, in the development of flower ceramics design, the form of flower ceramicsarm was the subject of lotus flowers, leaves, and roots, and by using the technique of cubes, leaves and roots as cubes, the natural color of silk, cotton, minerals, ramie, and sambae, and the texture felt in each material. Fourth, these development of flower ceramics design can feel visual pleasure and emotional stability through the potential value of purifying dry emotions in complex modern society when combined with flowers. It is also expected to be the basis for the development and research of better flower ceramics-gear design that can mingle with flowers by dyeing louts, a natural material, into cloth.