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MnO₂의 添加 比率에 따른 靑畵 開發과 水墨技法을 適用한 陶瓷繪畫表現 硏究

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Alternative Title
A Study on Blue and white porcelain Development by Increase Rate of manganese Oxide(MnO₂) and Ceramic-painting Expression Applied Ink Technique
Abstract
The purpose of this study is to seek the possibility of a variety of ceramic-paintings expression by applying it to pottery work based on ink techniques, after examining the characteristics of Blue and white porcelain and manganese Oxide, and carrying out the color experiments by the addition rate of Cobalt oxide and manganese Oxide to build the data of Blue and white porcelain.
Blue and white porcelain, a pigment made from cobalt oxide, reacts stably without clumping or dripping even in the process of high temperature drying, and allows for natural control of shade and detailed description. The Chinese Blue and white porcelain pigment used in the Song Dynasty has a dark brown and black color, and it is analyzed containing a lot of manganese oxide, unlike Persian pigment which is very blue. Based on this, it could be inferred that manganese oxide is a material influencing on the color of Blue and white porcelain, and it was considered that if using its characteristics, various Blue and white porcelain expressions would be possible in pottery work. In addition, it was thought that a study on the possibility of expanding ceramic-painting expression that can maximize the pictorial characteristics of Blue and white porcelain by applying ink technique in the method of Blue and white porcelain expression is deemed necessary.
Therefore, it constructed the data of Blue and white porcelain with various colors through the study on Blue and white porcelain color, using manganese oxide as an additive, and the study was carried out focusing on applying the ink technique on actual pottery work. The process of the study is the follows.
First, it examined Blue and white porcelain, a center of this study and manganese oxide that will be used as an additive, and the ink technique that will be applied on the study.
Second, Blue and white porcelain color experiment was conducted according to the addition rate of Cobalt oxide. As each potter has different ingredients incidentally added in Blue and white porcelain, it used white porcelain, on oxides, and cobalt oxides, which are the Blue and white porcelain materials the researcher previously used, in this process of the study, and the Blue and white porcelain pigment created based on this was termed the basic Blue and white porcelain. The ideal Blue and white porcelain data was selected after analyzing chroma and shade of the specimen obtained by the color experimental.
Third, Blue and white porcelain color experiment was carried out according to the addition rate of manganese oxide. After compared and analyzed the colors added fixed ratio of manganese oxide in the basic Blue and white porcelain data derived from the process of second experiment, it constructed the data by deriving ideal Blue and white porcelain specimen.
Fourth, it analyzed the characteristics according to the expression methods, conducting Blue and white porcelain expression experiment by the ink technique, and then derived the ink technique applicable on the pottery work.
Finally, by producing interior decorative items that applying Blue and white porcelain data and the ink technique derived from the experiment to actual pottery work, it sought and suggested the possibility of diverse ceramic painting through its usability as well as aesthetics.
Author(s)
강은종
Issued Date
2021
Awarded Date
2021. 2
Type
Dissertation
URI
https://oak.jejunu.ac.kr/handle/2020.oak/23496
Alternative Author(s)
Kang, Eun Jong
Affiliation
제주대학교 산업대학원
Department
산업대학원 산업디자인학과
Advisor
오창윤
Table Of Contents
Ⅰ.서론 1
1. 연구배경 및 목적 1
2. 연구방법 및 범위 3
Ⅱ. 이론적 고찰 5
1. 청화(靑畵)의 기원 및 특성 5
2. 산화망간(MnO₂)의 특성 10
3. 수묵기법의 이해 11
1) 수묵의 개념 및 특성 11
2) 기법에 따른 분류 12
Ⅲ. 산화망간(MnO₂)의 첨가 비율에 따른 청화(靑畵) 개발 연구 14
1. 청화(靑畵) 개발 연구 14
1) 시편제작 14
2) 산화코발트(CoO)의 첨가 비율에 따른 청화(靑畵) 발색 실험 15
3) 결과분석 17
4) 산화망간(MnO₂)의 첨가 비율에 따른 청화(靑畵) 발색 실험 18
5) 결과분석 20
Ⅳ. 수묵기법을 적용한 도자회화표현 연구 22
1. 수묵기법 적용 연구 22
1) 수묵기법에 따른 청화(靑畵) 표현 과정 22
2) 결과분석 23
3) 소결 25
2. 도자회화표현 연구 26
1) 시작품 제작과정 26
2) 시작품 설명 28
Ⅴ. 결론 42
Ⅵ. 참고문헌 45
Degree
Master
Publisher
제주대학교 산업대학원
Citation
강은종. (2021). MnO₂의 添加 比率에 따른 靑畵 開發과 水墨技法을 適用한 陶瓷繪畫表現 硏究
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Graduate School of Industry > Industrial Design
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